“The Snuke,” is South Park episode 1104: Eruption in Hilary Clinton

In this episode we learn all about the scary mental threat of Muslim terrorists – perhaps not in the same poignant fashion as we got with “Cartoon Wars,” but it’s still a great episode.

When a new Muslim student, Bahir, joins Mrs. Garrison’s fourth grade class, Cartman immediately suspects him of terrorist activities. With a Hilary Clinton rally happening in town that day (thank goodness America is past having to deal with that), he is sure he’s discovered the target of Bahir’s anarchist plot.

A fascinating twist requires us to confront our prejudice and fears and think about the place of Muslims and Islam in American society.

Did you like this episode? What’s your favorite part? What do you think about America’s fear of terrorism and how life can improve with this seemingly looming threat?

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South Park episode 111, “Tom’s Rhinoplasty,” Shows Lesbian in Leather with Silver Cross

Lots of characters on South Park adorn themselves with crosses. Of course, clergy are obvious examples, like in “Hell on Earth” when the various bishops and priests all have big crosses around their necks – and around the necks of the little naked boys accompanying them are leashes.

Also, the goth kids – think about “Raisins” when Wendy breaks up with Stan – have crosses in their rooms. Similarly is Ms. Ellen, who one day decides to dress in all black leather and has a little silver cross around her neck. And she’s a lesbian.

What do you think the association is between goth and a goth attitude and the symbol of Christianity, the crucifix?

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Author and Computer Scientist, Hank Simon, Talks about Publishing and Writing

Hank Simon has been a wonderful asset to me as I began the writing, querying, proposal and publishing processes with The Zen of South Park. I wanted to bring him on as a guest blogger this Monday so that you could get to know him a little better and reap the benefits of some of his advice just as I have. Please don’t hesitate to leave questions and comments at the end of the post and he will return to answer them accordingly.

What do you do for a living?

I’m currently a computer scientist/engineer at a major corporation. I’m responsible for the long-term, strategic design of how information flows across the enterprise using Service Oriented Architecture approaches.

What book(s) have you written? What are they about? How do they relate to your day job, if at all?

I’ve written and contributed to 7 non-fiction books about technology. They relate to highly technical topics, such as XML, wireless, expert systems, and spectroscopy. I wrote them because, as a thought leader in advanced technology and R&D, I found a gap in information about these topics. So, as I gathered this information for a forward looking applications, it was natural to organize my findings as chapters in my books.

When were they published and with whom?

McGraw-Hill was my most successful publication in 2001, as well as a few smaller companies, ranging from 1999 – 2005.

Did you have an agent when you were trying to get them published or did you go straight to publishers?

I was very lucky in this aspect, because I was publishing many articles – more than 100 – in various trade journals, as well as making presentations at international conferences. This experience gave me lots of exposure to editors in various publishing houses, and they approached me with ideas for the books.

When you wrote query letters and proposals, what was the most difficult part?

The proposal is the most difficult part, because I had to get a feeling for the marketplace and clearly define my audience. I also had to defend my book idea compared to existing books already published. This was both a blessing and a curse. I found that the easiest way to slip into the market was to discover a gap or niche that I could fill. That niche is unique in all cases, and sometimes it is not a niche that I could fill. It was difficult to admit that.

What advice would you give to aspiring authors trying to get published?

Read a lot by authors that you like and topics that interest you. But if you don’t like authors, don’t choke on them. For example, I read voraciously, but I don’t like many authors who write more than 600 pages. That means I have never waded through War and Peace. In contrast, I do like some of the older authors, Thurber, Benchley, Twain, Shalom Aleichem, Hemmingway, Herriot, Asimov. And I also like Grogan, and Rowland for their straightforward style. When I write, I try to blend aspects of these authors in order to improve my own style. And, I try to write at least 1 hour everyday, saving the edit process until I have a completed piece.

Are you working on any projects right now? Can you tell me about it (the writing process/publishing process/etc.).

I’m working on a Dog book that uses my dog as the central character, to highlight his personality and intelligence, to show interactions with other dogs, and to use this as a canvas to paint the relationships of people and the dogs that they meet along the way.

What advice do you have when it comes to writing?

Write everyday in a style that you like to read. Don’t try to win the Noble Prize.
Write and create first, edit later. It is tremendously easier to create and then edit.
And it is more productive to write a complete work and then edit. If you keep editing, you will stop creating and will get discouraged.
Plan to take 2x or 3x as much time to cut & edit, as you do creating.
Plan for your first book to take about a year from start to publication.

Who is your favorite author? What’s your favorite book?

I like the Harry Potter books.

If you could write one kind of book that you haven’t yet written what would it be?

I’d like to write a book on “Managing Ignorance” to complement Peter Drucker’s classic on Managing Knowledge. I could see many Dilbert opportunities.

Is there anything else you’d like to add?

Writing is very hard and time consuming. And, it is a job that requires discipline to remain in isolation while you create. Non-writers don’t appreciate the long hours, and the hard work needed to turn a phrase and to chip away everything until only the finely crafted piece remains.