Bride Wars with Kate Hudson and Anne Hathaway is Cute but Predictable

I did not go to this movie voluntarily. My girlfriend had been asking me for weeks. I finally succumbed on Friday night by using two free Fandango movie passes to get us tickets for a ‘date-night,’ not something we get many opportunities to do. We met for dinner, got popcorn and candy (though I wasn’t too keen on sharing my candy) and then settled in to watch Bride Wars. Good old Friday night date style…ish. Other than a gay couple – or two chummy male friends? – I was among very few men, all of whom were there with their ladies, presumably by force, coercion or bribery.

It was certainly better than I’d expected but, a. that’s not saying much and b. movies for which I have low expectations are almost certainly better than they would have been if I were expecting the cinematic experience of a life-time.

There were some hardy laughs, and jokes of differing style and laugh potential, depending on what makes you chuckle. So, there, I have to give Bride Wars credit. But is that enough? It was far from hysterical all the way through. The antics and shenanigans (can there be both at once?) were mildly amusing but they hardly elicited bouts of guffaws throughout. It was, to say the least from the perspective of a man who actually does enjoy romantic comedies but prefers for them to have a little something more (do they ever?), tolerable. I was not unhappy or uncomfortable being there. It wasn’t too long and I didn’t look at my watch. It kept moving quickly enough, but that brings me to my final problem.

It was predictable.

Now, I think most women, though their powers of prediction generally surpass mine, consciously ignore the inclination to predict when watching romantic comedies for fear of realizing that the vast majority of the genre is silly and not worth blue-lighting. However, I can’t turn that switch off and found the entire thing mesmerizingly predictable. Part of that is, no doubt, due to the commercials which leave little to our imaginations, and the rest is a result of the number of possible outcomes there could be (very few, in case that was unclear) and then picking up on the none-too-subtle hints that the director drops (but I don’t think means to!).

But what of it? Is it a crime to work within an inflexible genre? No. Is it my fault for going to see this movie that I had to know the end to before it happened? Partly.

So at the end of the day I’ll give this flick 5 Chocolate Salty Balls.

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